Films
See all Super16 films
Admission
The application will be opened again in the autumn
December
2024
How to apply
Ansøgningen er åben
Address
Super16
c/o Norsk Film
Mosedalvej 14
DK-2500 Valby
Denmark
Kristoffer is from a nuclear family, born and raised in the small North Jutland town of Brovst.
He wrote his first short film in 2017 at FilmMaskinen - a creative playground for trying every role in filmmaking until he finally realized that the screenwriter is the actual rockstar of the film crew. Kristoffer also attended European Film College in 2018/2019 and is now studying Film and Media Studies at the University of Copenhagen alongside Super16, while occassionally working as a freelance researcher at Nimbus Film.
An ex-girlfriend once told Kristoffer, that his best side is his ability to know when to laugh and when to cry. That is the best compliment he has ever received. Kristoffer’s favorite characters are those who seek confirmation from their surroundings, because all people do that according to him - and those who say they do not, are lying.
Kristoffer's work is also characterized by a love for absurd comedy, strong concepts and stories that are deeply saturated by their themes.
In this absurd dark-comedy, funerals are happy and joyful events celebrating the deceased. Ole's sister has just passed away after a long battle with cancer, which calls for the usual festivities. The only problem is Ole's deep sorrow and grief, which doesn't seem to fit the occasion.
The film takes place in a near-future, where earth has punished all adults for not taking properly care of our planet. We follow a group of kids, left all by themselves in a trashed world, living day by day and trying to avoid the unknown future. The kids put all their fear into hating the adults, but what will happen when one of the kids starts to become one?
After the death of their father, Sigurd wants to bury the hatchet and forgive his half siblings, Astrid and Jens, for how they treated him as kids. But this does not go as planned, as Astrid and Jens do not believe they've done anything that warrants forgiveness. Sigurd feels snubbed and realizes that what he actually wants is an apology but this demand only escalates an already tense situation and before long, they start to fall into old habits, revisiting childhood traumas.
In a near future, where a pill can extend only women's lives by 400 years, and men everywhere lose influence as a result, we meet the now-deposed Prime Minister, Kim Harding, as he gathers a group of aggrieved men behind him in an attempt to regain power and influence. Everything is going according to plan, until Kim's disciple, the younger, angrier and more idealistic man, Karl, wins over the group and challenges Kim in an internal struggle for power and honor. Life and death.
The poor and pregnant maid Karen slaves her days away, taking care of the imprisoned noblewoman Rigmor. Their fragile friendship suddenly presents an opportunity for a better life, when Rigmor mentions a valuable treasure buried in the forest. In hope of freedom, the two women spite their differences and attempt an escape. But can they create an alliance across class, and flee from fate?
'Companion AI' is a new technology that allows for the implantation of relationships through a chip. Saga is anti-tech, lonely, and struggles to connect with others, as popular technology creates distance between people. When she reunites with her childhood friend Etta, whom she misses in her life, she sees an opportunity to rekindle a genuine and deep relationship. However, Etta herself has a 'companion,' making it challenging to reestablish their bond. This drives Saga on a journey where she must compromise and turn inward in the pursuit of a genuine relationship.
After the death of their father, Sigurd wants to bury the hatchet and forgive his half siblings, Astrid and Jens, for how they treated him as kids. But this does not go as planned, as Astrid and Jens do not believe they've done anything that warrants forgiveness. Sigurd feels snubbed and realizes that what he actually wants is an apology but this demand only escalates an already tense situation and before long, they start to fall into old habits, revisiting childhood traumas.
The film takes place in a near-future, where earth has punished all adults for not taking properly care of our planet. We follow a group of kids, left all by themselves in a trashed world, living day by day and trying to avoid the unknown future. The kids put all their fear into hating the adults, but what will happen when one of the kids starts to become one?
William is convinced it is his fault that the world is coming to an end. On the planet's last day, he is faced with a dilemma; Should he spend his last hours with his family, who have chosen to celebrate his disabled sister's birthday, or should he meet up with his crush, who is impatiently waiting for him at the local beach?
'Companion AI' is a new technology that allows for the implantation of relationships through a chip. Saga is anti-tech, lonely, and struggles to connect with others, as popular technology creates distance between people. When she reunites with her childhood friend Etta, whom she misses in her life, she sees an opportunity to rekindle a genuine and deep relationship. However, Etta herself has a 'companion,' making it challenging to reestablish their bond. This drives Saga on a journey where she must compromise and turn inward in the pursuit of a genuine relationship.
The poor and pregnant maid Karen slaves her days away, taking care of the imprisoned noblewoman Rigmor. Their fragile friendship suddenly presents an opportunity for a better life, when Rigmor mentions a valuable treasure buried in the forest. In hope of freedom, the two women spite their differences and attempt an escape. But can they create an alliance across class, and flee from fate?
Roland is a loner in the bowling alley where he works. However, as the only witness of a tragic accident, he finds sudden confirmation from his colleagues by telling them the horrifying details. Slowly he starts embellishing the story.
